This paper presents the unique richness and diversity of the Bulgarian folk music. It discusses its modal specificity – the widespread use of old modal structures and chromatic sound lines, the metrorhytmical diversity; indicates some features such as the non-measured song. The most commonly used modal structures and the most widespread metrums are highlighted. A special focus is the successional bond of the native folklore and the professional Bulgarian musical works.
| Published in |
International Journal of Literature and Arts (Volume 2, Issue 5-1)
This article belongs to the Special Issue Musical Theory, Psychology and Pedagogy |
| DOI | 10.11648/j.ijla.s.2014020501.16 |
| Page(s) | 33-41 |
| Creative Commons |
This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited. |
| Copyright |
Copyright © The Author(s), 2014. Published by Science Publishing Group |
Bulgarian Folk Music, Monodic and Harmonic Mode Structures, Irregular Meters, Non–Measured Song
| [1] | Bershadskaya, T. Lectures On Harmony. Leningrad, 1978 (Бершадская, Т. Лекции по гармонии. Ленинград, 1978) |
| [2] | Dzhudzhev, St. Bulgarian Music, Volume 1, Rhythm. Sofia, 1970 (Джуджев, Ст. Българска музика, том 1 Ритъм. София, 1970) |
| [3] | Dzhudzhev, St. Bulgarian Music, Volume 2, Melody. Sofia, 1975 (Джуджев, Ст. Българска музика, том 2 Мелодика. София, 1975) |
| [4] | Mincheva, P. Education Of Musical Hearing With The Means of Bulgarian Music Folklore. Sofia, 1985 (Минчева, П. Възпитание на музикалния слух чрез българския музикален фолклор. София, 1985) |
| [5] | Mincheva, P. Music Education In The General Education Schools. Sofia, 1994 (Минчева, П. Музикалното възпитание в общообразователното училище. София, 1994) |
APA Style
Penka Pencheva Mincheva. (2014). Characteristics of Bulgarian Folk Music. International Journal of Literature and Arts, 2(5-1), 33-41. https://doi.org/10.11648/j.ijla.s.2014020501.16
ACS Style
Penka Pencheva Mincheva. Characteristics of Bulgarian Folk Music. Int. J. Lit. Arts 2014, 2(5-1), 33-41. doi: 10.11648/j.ijla.s.2014020501.16
AMA Style
Penka Pencheva Mincheva. Characteristics of Bulgarian Folk Music. Int J Lit Arts. 2014;2(5-1):33-41. doi: 10.11648/j.ijla.s.2014020501.16
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Download@article{10.11648/j.ijla.s.2014020501.16,
author = {Penka Pencheva Mincheva},
title = {Characteristics of Bulgarian Folk Music},
journal = {International Journal of Literature and Arts},
volume = {2},
number = {5-1},
pages = {33-41},
doi = {10.11648/j.ijla.s.2014020501.16},
url = {https://doi.org/10.11648/j.ijla.s.2014020501.16},
eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijla.s.2014020501.16},
abstract = {This paper presents the unique richness and diversity of the Bulgarian folk music. It discusses its modal specificity – the widespread use of old modal structures and chromatic sound lines, the metrorhytmical diversity; indicates some features such as the non-measured song. The most commonly used modal structures and the most widespread metrums are highlighted. A special focus is the successional bond of the native folklore and the professional Bulgarian musical works.},
year = {2014}
}
TY - JOUR T1 - Characteristics of Bulgarian Folk Music AU - Penka Pencheva Mincheva Y1 - 2014/09/23 PY - 2014 N1 - https://doi.org/10.11648/j.ijla.s.2014020501.16 DO - 10.11648/j.ijla.s.2014020501.16 T2 - International Journal of Literature and Arts JF - International Journal of Literature and Arts JO - International Journal of Literature and Arts SP - 33 EP - 41 PB - Science Publishing Group SN - 2331-057X UR - https://doi.org/10.11648/j.ijla.s.2014020501.16 AB - This paper presents the unique richness and diversity of the Bulgarian folk music. It discusses its modal specificity – the widespread use of old modal structures and chromatic sound lines, the metrorhytmical diversity; indicates some features such as the non-measured song. The most commonly used modal structures and the most widespread metrums are highlighted. A special focus is the successional bond of the native folklore and the professional Bulgarian musical works. VL - 2 IS - 5-1 ER -
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